Who Beat Up Baby Boy in the Movie
"Babe Male child" | ||||
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Single by Beyoncé featuring Sean Paul | ||||
from the anthology Dangerously in Love and Dutty Rock | ||||
B-side | "Summertime" (remix) | |||
Released | August 3, 2003 (2003-08-03) | |||
Recorded | February 2003[1] | |||
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Length | 4:04 | |||
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Songwriter(s) |
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Beyoncé singles chronology | ||||
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Sean Paul singles chronology | ||||
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Music video | ||||
"Baby Male child" on YouTube | ||||
"Infant Boy" is a song recorded by American vocalizer Beyoncé featuring Jamaican dancehall singer and rapper Sean Paul from Beyoncé's debut solo studio anthology Dangerously in Love (2003). Both artists co-wrote the song with Scott Storch, Robert Waller and Shawn "Jay-Z" Carter; the one-time also co-produced the song. Containing a lyrical interpolation of "No Fear" by hip hop grouping O.G.C, "Baby Male child" is an R&B and dancehall vocal with Caribbean area and Asian influences; its lyrics detail a woman'southward fantasies.
Columbia Records and Music World Entertainment released "Babe Boy" as the 2d unmarried from Dangerously in Dear on August 3, 2003. "Baby Male child" topped the U.s. Billboard Hot 100 for ix sequent weeks and was Beyoncé'due south longest-running number-ane single until 2007, when it was surpassed by "Irreplaceable". It reached the height x in many countries and was certified platinum by the Australian Recording Industry Clan (ARIA) and the Recording Manufacture Association of America (RIAA). Information technology besides reached the summit 10 in Commonwealth of australia, Belgium, Denmark, France, Deutschland, Republic of ireland, the Netherlands, New Zealand, Norway, Scotland, Spain, Sweden, Switzerland, and the United Kingdom.
The song'due south music video was directed by Jake Nava and more often than not shows Beyoncé dancing in various locations. "Baby Boy" has remained a staple of Beyoncé's concert ready lists. The American Club of Composers, Authors, and Publishers (ASCAP) recognized it every bit one of the most performed songs of 2004. In 2005, American singer-songwriter Jennifer Armour filed a copyright infringement lawsuit claiming that the vocal had used the primary musical hook from her vocal "Got a Little Bit of Dearest for You lot". The conform was afterwards dismissed.
Background and evolution [edit]
Sean Paul (pictured) contributed vocals to "Baby Male child".
In 2002, Beyoncé went to Miami, Florida, in the United states, to work with American record producer Scott Storch for her debut solo studio album Dangerously in Love.[two] She and Storch wrote "Baby Boy", with contributions from American songwriter Robert Waller and Beyoncé's now-hubby, hip hop artist Jay-Z.[2] The song also contains a lyrical interpolation of "No Fear" by hip hop group O.G.C. used towards the ending of the song: "We steppin' in hotter this twelvemonth".[three]
One time the track was supposedly done, Beyoncé had the idea that it would be "perfect" if Jamaican reggae artist Sean Paul contributed a vocal track.[3] Beyoncé contacted Paul about a possible collaboration for "Baby Boy".[iv] [five] Sean Paul agreed, and flew in from Jamaica to bring together the recording sessions of the vocal.[3] He contributed a toast poetry, and they finished recording "Baby Boy" in March 2003, during the later on stages of the anthology'southward recording.[4]
Music and lyrics [edit]
"Baby Male child" is a midtempo gimmicky R&B and dancehall vocal[6] [7] [eight] with reggae, house and Due south Asian influences.[ix] [ten] [11] It was composed using mutual time in the key of C minor,[12] and set in moderate groove of 92 beats per minute.[7] Storch's knowledge on Indian contributes to its Asian influences.[xiii] Neil Drumming of Entertainment Weekly noted that "'Baby Boy' goes full-tilt Bollywood 'n da hood, with Sean Paul ripping a pulsing tabla raga".[14] Beyoncé's vocals are accompanied by clicky and castanet-sounding beats,[15] synthesized handclaps and slaps.[16] Co-ordinate to gossip blogger Roger Friedman of Flim-flam News Channel, "Infant Male child" is based on the reggae song "Here Comes the Hotstepper" (1995), performed past Jamaican vocalizer Ini Kamoze.[17]
"Baby Male child" is considered to be a sequel to Jay-Z's song "'03 Bonnie & Clyde" (2002) featuring Beyoncé.[4] The lyrics detail a adult female's fantasies, and in keeping with the album's overall theme, Beyoncé's deemed them as personal to her.[5] Paul remarked: "She's telling me about her fantasies and picturing me and her going here and in that location, all over the world ... I'm answering back, similar, 'I'm wit it'."[four] The lyrics are constructed in the toast–chorus–poetry class; Sean Paul performs the toasting while Beyoncé sings all other verses and choruses. The pattern is repeated twice; a further chorus and verse follow, resolving at the toasting and final poetry.[iii]
Release [edit]
"Baby Male child" was released as the 2d single from Beyoncé'southward debut studio album, Dangerously in Love (2003). It was serviced to contemporary striking and rhythmic contemporary radio in the United States on August 3, 2003.[18] [19] It was released as a CD single and 12-inch single in the United kingdom of great britain and northern ireland on October vi, 2003. The song was released for maxi single in Canada the following solar day,[20] and in Deutschland on Oct 13.[21] It was released in the U.s. equally a 12-inch and CD unmarried on October 14 and 28, 2003, respectively.[22] "Infant Boy" was included in the revamped edition of Sean Paul's second studio anthology Dutty Rock (2003).[23]
Controversy [edit]
In 2005, American vocaliser-songwriter Jennifer Armour filed a copyright infringement lawsuit, claiming that Beyoncé had used some lyrics and the musical hook from her song "Got a Footling Bit of Love for You".[24] [25] [26] In 2003, Armour's former label director had submitted demo recordings to record labels, including Beyoncé'south Columbia Records and Sean Paul'south Atlantic Records.[27] [28] According to the commune court, an good witness (Chair, Department of Music Theory & Composition, Shepherd School of Music, Rice University) determined the songs to be "substantially like" (a requirement for an infringement finding). Concerning the musical hook, the expert witness stated in his report: "When the audible comparisons of the two songs are presented in the key of C modest (for like shooting fish in a barrel comparing) and presented back-to-dorsum, in A–B–A–B style, even the least musically inclined listener should immediately determine that the two songs are strikingly similar; I daresay that many listeners may even perceive them as being the aforementioned song! And again, transposing a song for this purpose does not modify any central qualities or characteristics of the song but only assists the ability of those unfamiliar with the technicalities of music in making a comparison." The district court judge yet ruled that she, herself, couldn't hear the similarities between the two songs and dismissed the case, denying the motion for the songs or case to be heard by a jury.[26] On appeal, the Usa Court of Appeals for the Fifth Excursion affirmed the district courtroom'due south ruling merely ruled with unlike reasoning. It held that there was no infringement based on Beyoncé's claim that Armour's demo tape was received presently after the writing of Beyoncé's song had been essentially completed. However, the court did not address the upshot of substantial similarity.[28] [29]
Critical reception [edit]
Rolling Stone magazine reviewer Anthony DeCurtis wrote that Beyoncé sounded as if she was "having fun" on the song,[30] while Stephen Thomas Erlewine of the online music guide service AllMusic described Beyoncé's vocals equally "bodacious and sexy".[31] Mark Anthony Neal of the international webzine PopMatters, regarded "Baby Boy" as one of the "loftier-contour collaborations" on Dangerously in Dearest.[32] Lisa Verrico of the daily British newspaper The Times described the vocal a "Latino-tinged collaboration ... Paul does a reggae rap in the middle, but it'southward when he chats while Beyoncé half raps that the pair take real chemical science".[fifteen] Yancey Strickler of the Flak magazine wrote that "'Baby Boy''s diwali stutter is enhanced by Sean Paul's dancehall monotone".[33]
James Anthony of the British newspaper The Guardian commented that the track "bridges the gap between the genres of R&B and dancehall".[34] Los Angeles Times writer Natalie Nichols wrote that "the ... house-spiced 'Baby Boy' successfully meld[s] [Beyoncé's] breathy cooing with hip, interesting production."[8]
Accolades [edit]
British record characterization EMI was honored by the American Society of Composers, Authors and Publishers (ASCAP) at the 2005 ASCAP Popular Music Awards as Publisher of the Year for publishing "Baby Boy", among other songs.[35] Scott Storch earned Songwriter of the Year award at the same event.[35]
Commercial functioning [edit]
"Babe Male child" attained a positioning on the commercial charts before its concrete release in the The states. The rail led to a higher Billboard 200 chart placing for Dangerously in Dearest, and helped the album to attain multi-platinum certification in the Us.[36] The single debuted on the Billboard Hot 100, at number fifty-7, while its predecessor "Crazy in Honey" was still on the height spot.[37] "Babe Boy" dominated on the radio in the United States, ultimately reaching the top of the Billboard Hot 100.[38] [39] [twoscore] Information technology reached the chart's superlative spot viii weeks after its debut, and stayed there for nine consecutive weeks.[twoscore] [41] The single stayed number ane for a week longer than "Crazy in Love" had, becoming Beyoncé's longest-charting number-one single at the time. The feat was non broken until her single "Irreplaceable" (2006), from her 2d album B'Day (2006), spent 10 weeks at the top spot from late 2006 until early 2007.[42] The vocal became Sean Paul'south commencement number-one single in the United States. "Baby Boy" stayed on the Hot 100 for 20-nine weeks,[43] and was certified platinum past the Recording Industry Association of America (RIAA) on June vi, 2006.[44] "Baby Male child" achieved success on Billboard crossover and mainstream radio charts, appearing on the Superlative 40 Tracks, Rhythmic and Mainstream Peak twoscore, also as peaking atop the Radio Songs and Trip the light fantastic toe/Mix Testify Airplay, and at number two on Trip the light fantastic toe Club Songs.[45] [46] [47] [39] As of Oct 6, 2010, "Baby Boy" had sold 6,000 concrete units in the United States.[48]
Internationally, "Baby Male child" performed just also, peaking inside the acme ten on all of the charts it appeared on, excluding the Ö3 Austria Top 40, Ultratop 50 Wallonia and Italian Singles Chart, on which it reached the tiptop twenty. The single debuted at number ii in the United Kingdom, becoming the chart's highest debut of the calendar week and "Baby Boy"'southward highest entry internationally.[49] Even though it spent seventeen weeks on the chart, it failed to attain the top, being held off past "Where Is the Love?" by The Blackness Eyed Peas.[49] In Commonwealth of australia and New Zealand, "Babe Boy" peaked at numbers three and ii, respectively.[50] [51] It was certified platinum by the Australian Recording Industry Clan (ARIA) for shipments in excess of 70,000 units.[52]
Music video [edit]
The music video for "Babe Boy" was filmed past English director Jake Nava, who also shot Beyoncé'southward "Crazy in Love" video. It was recorded in Miami, Florida on Baronial 7–viii, 2003. Parts of the video were captured in a house with different way rooms: one in a Japanese style and one in an former English style.[53]
Scenes featuring Beyoncé and Paul are shown separately. The video begins with Paul sitting on a throne while toasting; Beyoncé is leaning against a wall and dancing. In the following scene, Beyoncé is seen on a bed. Paul is shown with several women who are lying on the floor caressing each other. Beyoncé walks towards the embankment; she spots a man, and the 2 touch and flirt. Every bit the second poesy the begins, Beyoncé is at a party. At the party, Beyoncé decides to trip the light fantastic toe with the same man that she interacted with earlier. Then, water floods the floor of the party as she sings "the trip the light fantastic flooring becomes the ocean". As the second chorus of the song begins, the video is cut with scenes of Beyoncé and 4 fill-in dancers dancing on a platform in the sand on the beach. The original track is interrupted towards the end with an Arabic instrumental, designed for the music video. This department showcases Beyoncé vigorously dancing on the sand.
Sal Cinquemani of the online publication Slant Magazine, described the video every bit a "baby-oil-logged follow-up" to "Crazy in Love"'south "bootylicous video".[54] In 2013, John Boone and Jennifer Cady of E! Online placed the video at number nine on their list of Beyoncé'due south x all-time music videos, praising the extended belly-dancing breakup.[55] "Baby Boy" premiered on MTV's programme Total Request Live on August 25, 2003, at number x and reached the height spot.[56] [57] It stayed on the bear witness for forty-one days, the aforementioned chart run "Me, Myself and I" earned.[56]
Live performances [edit]
Beyoncé first performed "Infant Boy" live at the 2003 MTV Video Music Awards;[58] she sang information technology in a medley with the pre-recorded vocals of Paul.[59] Beyoncé afterward sang "Babe Boy" with Paul at the 2003 MTV Europe Music Awards.[60] "Baby Boy" has been included on the fix list for near of Beyoncé'southward concert tours. It served as the opening vocal of her Dangerously in Love Tour (2003). During her performance of the song on the tour, she was initially suspended from the ceiling of the arena that was gradually lowered to a red lounger—a prop she also used during the 2003 MTV Video Music Awards.[61] The footage taken at Wembley Loonshit in London, England was included on Beyoncé'due south starting time live album Live at Wembley (2004). Beyoncé also performed "Babe Boy" with her former group Destiny'southward Child during their terminal tour Destiny Fulfilled... and Lovin' It (2005), and it was included on their 2d live album Destiny's Child: Alive in Atlanta (2006).[62]
"Baby Male child" was a part of Beyoncé'southward set list on The Beyoncé Experience (2007) in Los Angeles, California, and on I Am... World Tour (2009–10).[63] On Baronial v, 2007, Beyoncé performed the song at the Madison Square Garden in Manhattan, New York City;[64] [65] wearing a abdomen-dancer-type outfit, she descended the staircase belongings an umbrella and was met by three men wearing fatigues.[65] A curt section of Chaka Demus & Pliers' song "Murder She Wrote" (1993) was incorporated into "Baby Boy".[65] Jon Pareles of The New York Times praised the functioning, writing that Beyoncé "needs no distractions from her singing, which tin can be airy or flippant, bawling or vicious, rapid-burn down with staccato syllables or sustained in curlicued melismas. But she was in constant motility, strutting in costumes".[64] She performed in a similar organisation at the Los Angeles' Staples Center on September 2, 2007. She was dressed in a belly dancing outfit, and the performance was executed with several male backup dancers and live instrumentation.[66] Beyoncé re-produced the dance she executed in the song'southward music video.[62] When Beyoncé performed "Baby Male child" in Sunrise, Florida on June 29, 2009, she was wearing a glittery gold leotard. When her performance began, she was suspended in the air, and and then lowered to the B-stage to where she sang "Babe Boy" with an extract from Dawn Penn's "Yous Don't Love Me (No, No, No)". Animated graphics of turntables, faders and other society equipment were projected behind the dancers and musicians.[67] Beyoncé was accompanied by her backing ring Suga Mama, which consisted of ii drummers, two keyboardists, a percussionist, a horn section, three imposing backup vocalists and the lead guitarist Bibi McGill.[68] "Baby Boy" was included on her live album The Beyoncé Experience Live (2007),[69] and the deluxe edition of I Am... World Tour (2010).[70] At the 2005 ASCAP Popular Music Awards, "Infant Male child", forth with Beyoncé'southward two other singles from Dangerously in Love – "Me, Myself and I" and "Naughty Girl" – was recognized every bit one of the virtually performed songs of 2004.[71]
"Babe Boy" was performed by Beyoncé in a pink fringe dress at a concert at Palais Nikaïa in Overnice, France, on June twenty, 2011,[72] and at the Glastonbury Festival on June 26, 2011, where she brought out British trip hop vocalist Tricky to guest on the song.[73] Between May 25–28, 2012, Beyoncé performed the song during her Revel Presents: Beyoncé Alive revue at Revel Atlantic Urban center, New Jersey.[74] [75] Jim Farber of the Daily News wrote: "The first, and concluding parts of the show stressed the steeliest Beyoncé, told in bold songs... [like] dancehall-inflected 'Baby Boy.'"[76] On February 3, 2013, Beyoncé performed the song during the Super Basin XLVII halftime show.[77] In 2013, Beyoncé performed "Infant Boy" as a medley with "Go Me Bodied" during her The Mrs. Carter Show World Tour (2013–14), while the songs were performed separately in 2014. The song was likewise performed during The Germination World Tour (2016).
Track listings and formats [edit]
No. | Championship | Length |
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1. | "Babe Male child" (Album version) (featuring Sean Paul) | four:04 |
ii. | "Baby Male child" (Junior Vasquez Social club Canticle Remix) (featuring Sean Paul) | 8:fifty |
3. | "Baby Boy" (Maurice'south Nu Soul Mix) (featuring Sean Paul) | vi:fourteen |
4. | "Infant Male child" (Maurice's Nu Dub Baby!) (featuring Sean Paul) | 6:thirty |
Full length: | 25:38 |
No. | Title | Length |
---|---|---|
1. | "Baby Boy" (featuring Sean Paul) | 4:06 |
two. | "Baby Boy" (Instrumental) | 4:04 |
3. | "Summertime" (Remix) (featuring Ghostface Killah) | 4:05 |
Full length: | 12:fifteen |
No. | Title | Length |
---|---|---|
i. | "Babe Boy" (Album version) (featuring Sean Paul) | 4:04 |
2. | "Baby Boy" (Junior'southward Padapella) (featuring Sean Paul) | 3:58 |
Full length: | eight:02 |
No. | Title | Length |
---|---|---|
one. | "Baby Boy" (Album version) (featuring Sean Paul) | 4:04 |
2. | "Baby Boy" (Maurice'southward Nu Soul Mix) (featuring Sean Paul) | eight:50 |
3. | "Infant Male child" (Junior's Padapella) (featuring Sean Paul) | three:58 |
4. | "Krazy in Luv" (Adam 12 And so Crazy Remix) (featuring Jay-Z) | 4:30 |
Full length: | 18:06 |
Charts [edit]
Certifications [edit]
Release history [edit]
References [edit]
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External links [edit]
- Official music video on YouTube
Source: https://en.wikipedia.org/wiki/Baby_Boy_(Beyonc%C3%A9_song)
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